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Country of origin / production: United Kingdom
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| Usage area | |
|---|---|
| Sound Module/ Tone Generator | |
| Usage Design/ Form Factor | |
| Rackmount, 3U | |
| Archetype | |
| Virtual Analog (VA) | |
| Polyphony | |
| Voices | 48 |
| Multi Timbral Capacity | 8 part(s) |
| Tone Generator / Sound Synthesis | |
| Synthesis Method | Digital Subtractive |
| Synthesis Method | Frequency Modulation (FM) |
| Technology of Sound Generation | ASM (Analogue Sound Modelling) |
| Waveform/ Spectral form (main generator) | Square |
| Waveform/ Spectral form (main generator) | Pulse Width Modulation (PWM) |
| Waveform/ Spectral form (main generator) | Saw |
| Waveform/ Spectral form (main generator) | White Noise |
| Programs/ Voices/ Timbres | |
| Single Voice Preset | 512 |
| User-defined Single Voice | 512 |
| Multitimbral Preset | 256 |
| User-defined Multitimbral | 256 |
| Filter | |
| High-pass Filter (HPF) | |
| Low-pass Filter (LPF) | |
| Band-pass Filter (BPF) | |
| Comb Filter | |
| 2-pole | |
| 3-pole | |
| 4-pole | |
| 12dB | |
| 18dB | |
| 48dB | |
| Resonance | |
| Filter auto-oscillation | |
| Modulation | |
| LFO: LFO Count | 2 |
| LFO Waveforms | |
| Square | |
| Triangle | |
| Saw | |
| Sample&Hold | |
| Effects | |
| Reverb | |
| Chorus | |
| Flanger | |
| Delay | |
| Phaser | |
| Distortion | |
| Tremolo | |
| Overdrive/ Drive | |
| Pan | |
| Equalizer | |
| Parametric | |
| Bands | 2 |
| MIDI in/ out | |
| IN | |
| OUT | |
| THRU | |
| Display | |
| Display type | TFT |
| Color resolution | Monochrome |
| External controllers | |
| Foot Controller | 3 |
| Audio out | |
| Stereo | |
| Analogue: 1/4" (6.35mm) | 8 |
| Analogue: 1/4" (6.35mm) headphones preamplified | 1 |
| Digital: coaxial | 1 |
| Audio in | |
| Analog 1/4" | 1 |
| Digital: Coaxial | 1 |
| Case/ body | |
| Metal | |
| Color | |
| Blue | |
| Production ended | |
Performance Synthesizer, Synthesizer, Virtual Analog (VA), Voices: 48, Multi Timbral Capacity: 8 part(s), Number of Keys: 61, Size: 5, Aftertouch, Velocity Sensitivity, Production start: 2000, Production end: 2000.
Performance Synthesizer, Synthesizer, Virtual Analog (VA), Voices: 48, Multi Timbral Capacity: 8 part(s), Number of Keys: 61, Size: 5, Aftertouch, Velocity Sensitivity, Production start: 1999, Production end: 2000.
Sound Module/ Tone Generator, Virtual Analog (VA), Voices: 44, Multi Timbral Capacity: 8 part(s), Production start: 1998, Production end: 1999, Production ended: Yes.
Performance Synthesizer, Synthesizer, Virtual Analog (VA), Voices: 44, Multi Timbral Capacity: 8 part(s), Number of Keys: 61, Size: 5, Aftertouch, Velocity Sensitivity, Production start: 1998, Production end: 1999.
The rackmount version of Roland JP-8000 differs in polyphony which was increased from 8 to 10 voices, the number of presets and user program memory were more than doubled, new effects were added - flanger and distortion, voice modifier Voice Modulator...
Sound Module/ Tone Generator, Synthesizer, Analog Modeling (AM), Voices: 24, Multi Timbral Capacity: 16 part(s), Oscillators per voice: 3, Sub-Oscillators per voice: 1, Production start: 1999, Production end: 2002, Production ended: Yes.
Synthesizer, Sound Module/ Tone Generator, Analog Modeling (AM), Voices: 32, Multi Timbral Capacity: 16 part(s), Sub-Oscillators per voice: 1, Oscillators per voice: 3, Production start: 2002, Production ended: Yes.
Should we buy a new one or a second hand unit will serve us well? Here we’ll talk about a never-ending dilemma, designs and pricing, the reasons of purchasing an old instrument or a new one straight after being assembled. We’ll analyze it while having a close up on the Japanese synthesizers (and an English one).
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