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Country of origin / production: United Kingdom
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| Usage area | |
|---|---|
| Synthesizer | |
| Performance Synthesizer | |
| Usage Design/ Form Factor | |
| With Keys | |
| Archetype | |
| Virtual Analog (VA) | |
| Polyphony | |
| Voices | 48 |
| Multi Timbral Capacity | 8 part(s) |
| Tone Generator / Sound Synthesis | |
| Synthesis Method | Digital Subtractive |
| Synthesis Method | Frequency Modulation (FM) |
| Technology of Sound Generation | ASM (Analogue Sound Modelling) |
| Waveform/ Spectral form (main generator) | Square |
| Waveform/ Spectral form (main generator) | Pulse Width Modulation (PWM) |
| Waveform/ Spectral form (main generator) | Saw |
| Waveform/ Spectral form (main generator) | White Noise |
| Programs/ Voices/ Timbres | |
| Single Voice Preset | 512 |
| User-defined Single Voice | 512 |
| Multitimbral Preset | 256 |
| User-defined Multitimbral | 256 |
| Filter | |
| High-pass Filter (HPF) | |
| Low-pass Filter (LPF) | |
| Band-pass Filter (BPF) | |
| Comb Filter | |
| 2-pole | |
| 3-pole | |
| 4-pole | |
| 12dB | |
| 18dB | |
| 48dB | |
| Resonance | |
| Filter auto-oscillation | |
| Modulation | |
| LFO: LFO Count | 2 |
| LFO Waveforms | |
| Square | |
| Triangle | |
| Saw | |
| Sample&Hold | |
| Effects | |
| Reverb | |
| Chorus | |
| Flanger | |
| Delay | |
| Phaser | |
| Distortion | |
| Tremolo | |
| Overdrive/ Drive | |
| Pan | |
| Equalizer | |
| Parametric | |
| Bands | 2 |
| MIDI in/ out | |
| IN | |
| OUT | |
| THRU | |
| Keys | |
| Type | Synth Action |
| Velocity Sensitivity | |
| Aftertouch | |
| Size | 5 |
| Number of Keys | 61 |
| Display | |
| Display type | TFT |
| Color resolution | Monochrome |
| Built-in controllers | |
| Pitch Bend Wheel | |
| Modulation Wheel | |
| External controllers | |
| Foot Controller | 3 |
| Audio out | |
| Stereo | |
| Analogue: 1/4" (6.35mm) | 8 |
| Analogue: 1/4" (6.35mm) headphones preamplified | 1 |
| Digital: coaxial | 1 |
| Audio in | |
| Analog 1/4" | 1 |
| Digital: Coaxial | 1 |
| Case/ body | |
| Plastic | |
| Color | |
| Blue | |
| Production start | 1999 |
| Production end | 2000 |
| Production ended | |
Sound Module/ Tone Generator, Virtual Analog (VA), Voices: 44, Multi Timbral Capacity: 8 part(s), Production start: 1998, Production end: 1999, Production ended: Yes.
Sound Module/ Tone Generator, Virtual Analog (VA), Voices: 48, Multi Timbral Capacity: 8 part(s), Production ended: Yes.
Performance Synthesizer, Synthesizer, Virtual Analog (VA), Voices: 44, Multi Timbral Capacity: 8 part(s), Number of Keys: 61, Size: 5, Aftertouch, Velocity Sensitivity, Production start: 1998, Production end: 1999.
At the moment it’s clear that this first analogue modeling synthesizer by Roland has had a firm grip on its place among the cult instruments produced by the Japanese corporation. The ability to reproduce the sounds of analog synthesizers of the past...
Synthesizer, Performance Synthesizer, Analog Modeling (AM), Voices: 24, Multi Timbral Capacity: 16 part(s), Sub-Oscillators per voice: 1, Oscillators per voice: 3, Aftertouch, Velocity Sensitivity, Number of Keys: 61, Size: 5.
Performance Synthesizer, Synthesizer, Analog Modeling (AM), Voices: 32, Multi Timbral Capacity: 16 part(s), Sub-Oscillators per voice: 1, Oscillators per voice: 3, Number of Keys: 61, Aftertouch, Velocity Sensitivity, Size: 5.
Performance Synthesizer, Synthesizer, Virtual Analog (VA), Voices: 32, Multi Timbral Capacity: 16 part(s), Size: 5, Number of Keys: 61, Velocity Sensitivity, Aftertouch, Production start: 1999, Production ended: Yes.
Synthesizer, Analog Modeling (AM), Voices: 8, Multi Timbral Capacity: 4 part(s), Oscillators per voice: 3, Number of Keys: 49, Velocity Sensitivity, Size: 4, Production start: 2003, Production ended: Yes.
Should we buy a new one or a second hand unit will serve us well? Here we’ll talk about a never-ending dilemma, designs and pricing, the reasons of purchasing an old instrument or a new one straight after being assembled. We’ll analyze it while having a close up on the Japanese synthesizers (and an English one).
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