| Usage area | |
|---|---|
| Synthesizer | |
| Sound Module/ Tone Generator | |
| Usage Design/ Form Factor | |
| With Keys | |
| Rackmount, 4U | |
| Archetype | |
| Analog Modeling (AM) | |
| Polyphony | |
| Voices | 24 |
| Multi Timbral Capacity | 16 part(s) |
| Tone Generator / Sound Synthesis | |
| Synthesis Method | Digital Subtractive |
| Synthesis Method | Frequency Modulation (FM) |
| Oscillator Type | Digital |
| Oscillators per voice | 3 |
| Sub-Oscillators per voice | 1 |
| Waveform/ Spectral form (main generator) | Sine |
| Waveform/ Spectral form (main generator) | Pulse Width Modulation (PWM) |
| Waveform/ Spectral form (main generator) | Triangle |
| Waveform/ Spectral form (main generator) | Saw |
| Waveform/ Spectral form (main generator) | White Noise |
| Programs/ Voices/ Timbres | |
| Single Voice Preset | 768 |
| User-defined Single Voice | 256 |
| Multitimbral Preset | 128 |
| Filter | |
| High-pass Filter (HPF) | |
| Low-pass Filter (LPF) | |
| Band-pass Filter (BPF) | |
| Band-reject Filter (BRF) | |
| 2-pole | |
| 4-pole | |
| 6-pole | |
| Resonance | |
| Envelope Generator (EG) | |
| Amp | ADSTRx2 |
| Effects | |
| Chorus | |
| Delay | |
| Phaser | |
| Distortion | |
| Ring Modulation | |
| Saturation | |
| Overdrive/ Drive | |
| Talk Effects | |
| FX Units | 82 |
| Modulation | |
| Modulation Matrix | 3 Sources, 6 Destinations |
| Source count | 3 |
| Destination count | 6 |
| LFO: LFO Count | 3 |
| Equalizer | |
| Parametric | |
| MIDI | |
| General MIDI (GM) | |
| MIDI in/ out | |
| IN | |
| OUT | |
| THRU | |
| Case/ body | |
| Metal&wood | |
| Color | |
| Black | |
| Production start | 1999 |
| Production end | 2002 |
| Production ended | |
Synthesizer, Performance Synthesizer, Analog Modeling (AM), Voices: 24, Multi Timbral Capacity: 16 part(s), Sub-Oscillators per voice: 1, Oscillators per voice: 3, Aftertouch, Velocity Sensitivity, Size: 5, Number of Keys: 61.
Sound Module/ Tone Generator, Analog Modeling (AM), Voices: 16, Multi Timbral Capacity: 16 part(s), Sub-Oscillators per voice: 1, Oscillators per voice: 3, Production start: 2001, Production end: 2002, Production ended: Yes.
Synthesizer, Sound Module/ Tone Generator, Analog Modeling (AM), Voices: 32, Multi Timbral Capacity: 16 part(s), Sub-Oscillators per voice: 1, Oscillators per voice: 3, Production start: 2002, Production ended: Yes.
Performance Synthesizer, Synthesizer, Analog Modeling (AM), Voices: 32, Multi Timbral Capacity: 16 part(s), Sub-Oscillators per voice: 1, Oscillators per voice: 3, Aftertouch, Number of Keys: 61, Size: 5, Velocity Sensitivity.
Sound Module/ Tone Generator, Analog Modeling (AM), Voices: 32, Multi Timbral Capacity: 16 part(s), Sub-Oscillators per voice: 1, Oscillators per voice: 3, Production start: 2003, Production ended: Yes.
Performance Synthesizer, Synthesizer, Analog Modeling (AM), Voices: 32, Multi Timbral Capacity: 16 part(s), Sub-Oscillators per voice: 1, Oscillators per voice: 3, Aftertouch, Number of Keys: 37, Size: 3, Velocity Sensitivity.
Sound Module/ Tone Generator, Virtual Analog (VA), Voices: 44, Multi Timbral Capacity: 8 part(s), Production start: 1998, Production end: 1999, Production ended: Yes.
Sound Module/ Tone Generator, Virtual Analog (VA), Voices: 48, Multi Timbral Capacity: 8 part(s), Production ended: Yes.
Sound Module/ Tone Generator, Virtual Analog (VA), Voices: 16, Multi Timbral Capacity: 6 part(s), Oscillators per voice: 3, Production start: 1999, Production ended: Yes.
For the fans of Novation KS series, for those who prefer rackmount sound modules, the manufacturer devised KS Rack. The rack version includes the same features as the rest of the KS line does. KS Rack includes 8 voices of analog modeling sounds with FM,...
Sound Module/ Tone Generator, Analog Modeling (AM), Voices: 16, Multi Timbral Capacity: 4 part(s), Oscillators per voice: 2, Production start: 1997, Production end: 1999, Production ended: Yes.
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