| Usage area | |
|---|---|
| Sound Module/ Tone Generator | |
| Archetype | |
| Analog Modeling (AM) | |
| Polyphony | |
| Voices | 16 |
| Multi Timbral Capacity | 16 part(s) |
| Tone Generator / Sound Synthesis | |
| Synthesis Method | Digital Subtractive 1 , 1 |
| Synthesis Method | Frequency Modulation (FM) |
| Oscillator Type | Digital 1 , 1 |
| Oscillators per voice | 3 |
| Sub-Oscillators per voice | 1 |
| Waveform/ Spectral form (main generator) | Sine |
| Waveform/ Spectral form (main generator) | Pulse Width Modulation (PWM) |
| Waveform/ Spectral form (main generator) | Triangle |
| Waveform/ Spectral form (main generator) | Saw |
| Waveform/ Spectral form (main generator) | White Noise |
| Programs/ Voices/ Timbres | |
| Single Voice Preset | 768 |
| User-defined Single Voice | 256 |
| Multitimbral Preset | 128 |
| Filter | |
| High-pass Filter (HPF) | |
| Low-pass Filter (LPF) | |
| Band-pass Filter (BPF) | |
| Band-reject Filter (BRF) | |
| 2-pole | |
| 4-pole | |
| 6-pole | |
| Resonance | |
| Envelope Generator (EG) | |
| Amp | ADSTRx2 |
| Modulation | |
| Modulation Matrix | 3 Sources, 6 Destinations |
| Source count | 3 |
| Destination count | 6 |
| LFO: LFO Count | 3 |
| Effects | |
| Chorus | |
| Delay | |
| Phaser | |
| Distortion | |
| Ring Modulation | |
| Saturation | |
| Overdrive/ Drive | |
| Talk Effects | |
| FX Units | 82 |
| Equalizer | |
| Parametric | |
| MIDI | |
| General MIDI (GM) | |
| MIDI in/ out | |
| IN | |
| OUT | |
| THRU | |
| Case/ body | |
| Metal | |
| Color | |
| Black | |
| Production start | 2001 |
| Production end | 2002 |
| Production ended | |
Sound Module/ Tone Generator, Synthesizer, Analog Modeling (AM), Voices: 24, Multi Timbral Capacity: 16 part(s), Oscillators per voice: 3, Sub-Oscillators per voice: 1, Production start: 1999, Production end: 2002, Production ended: Yes.
Synthesizer, Performance Synthesizer, Analog Modeling (AM), Voices: 24, Multi Timbral Capacity: 16 part(s), Sub-Oscillators per voice: 1, Oscillators per voice: 3, Aftertouch, Velocity Sensitivity, Number of Keys: 61, Size: 5.
Synthesizer, Performance Synthesizer, Analog Modeling (AM), Voices: 24, Multi Timbral Capacity: 16 part(s), Sub-Oscillators per voice: 1, Oscillators per voice: 3, Aftertouch, Velocity Sensitivity, Number of Keys: 37, Size: 3.
Synthesizer, Sound Module/ Tone Generator, Analog Modeling (AM), Voices: 32, Multi Timbral Capacity: 16 part(s), Sub-Oscillators per voice: 1, Oscillators per voice: 3, Production start: 2002, Production ended: Yes.
Performance Synthesizer, Synthesizer, Analog Modeling (AM), Voices: 32, Multi Timbral Capacity: 16 part(s), Sub-Oscillators per voice: 1, Oscillators per voice: 3, Number of Keys: 61, Aftertouch, Velocity Sensitivity, Size: 5.
Sound Module/ Tone Generator, Analog Modeling (AM), Voices: 32, Multi Timbral Capacity: 16 part(s), Sub-Oscillators per voice: 1, Oscillators per voice: 3, Production start: 2003, Production ended: Yes.
Novation A-Station, released in 2001, in many respects is a symbiosis of Bass Station and Supernova. At first glance, the interface is very similar to "Bass", but its internal elements have a number of features sported by Supernova. Its housing is...
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