A Creative Powerhouse: The SP-606 Story

The SP-606 represents Roland's evolution of their celebrated phrase sampler series into what they dubbed a "sampling workstation." Despite its compact size, this device packs a remarkable punch, serving not just as a sampler but as a comprehensive production tool that can seamlessly integrate with computer-based studios.

At its heart lies a thoughtfully designed sampling engine built around 16 velocity-sensitive pads arranged in a 4x4 grid. Through an intelligent banking system, these pads can control up to 128 different samples, providing extensive sonic possibilities for both studio production and live performance. The internal memory offers 5 minutes of high-quality mono sampling in Standard mode, or 11 minutes in the more efficient Long mode, with the ability to mix and match sampling qualities as needed.

What sets the SP-606 apart is its dual personality as both a standalone instrument and a computer interface. The USB connection transforms it into a capable audio/MIDI interface for both Mac and PC systems. For PC users, the inclusion of Cakewalk's P606 software adds another dimension, turning the SP606 into a comprehensive music production system.

The effects section is particularly noteworthy, featuring two independent processors with access to 45 different effect types. From standard reverbs and delays to more exotic options like voice transformation and vinyl simulation, the processing capabilities are impressive. The inclusion of a mastering-grade dual-band compressor adds professional polish to the final output.

Perhaps the most innovative feature is the D-Beam controller, which allows for gestural control over various parameters. Whether triggering samples, manipulating the built-in synthesizer, or tweaking filter parameters, this touchless controller adds an expressive dimension to performance that sets it apart from conventional samplers.

The sequencing capabilities are robust, with a 4-track sequencer that can record up to 18,000 sample triggers at 96 ppqn resolution. Patterns can be up to 32 bars long, and you can chain up to 999 patterns into 25 different songs, making it suitable for complex live performances or detailed studio productions.

While the SP-606 isn't without its limitations - notably in its tempo-matching capabilities and sample naming restrictions - it represents a thoughtful balance between immediate usability and deep technical capability. The integration of digital I/O, extensive effects processing, and computer connectivity makes it a versatile hub for modern music production, whether used standalone or as part of a larger studio setup. It supports USB 1.0 but has compatibility issues with modern Windows OS.

The inclusion of Compact Flash support (up to 512MB) significantly expands its capabilities, offering up to 193 minutes of sampling time and storage for up to 512 samples across 32 pad banks. This expandability, combined with its ability to function as a card reader when connected to a computer, makes it a practical tool for serious sample management.

Core Specifications

• 16 velocity-sensitive pads in 4x4 grid
• 8 pad banks (128 total samples)
• 8-voice polyphony
• 16MB internal memory
• 5 minutes mono sampling time in Standard mode, 11 minutes in Long mode
• Supports Compact Flash cards up to 512MB (193 minutes mono sampling)
• 96ppqn sequencer resolution
• USB audio/MIDI interface functionality

Input/Output

• Stereo line inputs
• Mono mic input
• Coaxial S/PDIF digital I/O
• MIDI In/Out
• USB port for computer connectivity
• Headphone output
• Programmable footswitch input

Features & Processing

• Two independent effects processors with 45 effect types
• Built-in mastering effect (dual-band compressor)
• D-Beam controller for triggering/synthesis/filtering
• 4-track pattern sequencer
• Up to 999 patterns chainable into 25 songs
• Pattern length up to 32 bars
• WAV/AIFF file import/export capability
• Sample chopping (up to 16 segments)

The Roland SP-606 is still a good choice if you search a digital sampling workstation designed for DJs and studio musicians who are nostalgic about old good days and "that workflow".