| Usage area | |
|---|---|
| Synthesizer | |
| Performance Synthesizer | |
| Vocoder | |
| Usage Design/ Form Factor | |
| With Keys | |
| Archetype | |
| Virtual Analog (VA) | |
| Polyphony | |
| Voices | 8 |
| Voice Mode | Mono |
| Voice Mode | Duo |
| Voice Mode | Poly |
| Voice Mode | Unison |
| Multi Timbral Capacity | 8 part(s) |
| Tone Generator / Sound Synthesis | |
| Synthesis Method | Digital Subtractive |
| Synthesis Method | Frequency Modulation (FM) |
| Oscillator Type | Digital |
| Oscillators per voice | 3 |
| Waveform/ Spectral form (main generator) | Sine |
| Waveform/ Spectral form (main generator) | Pulse Width Modulation (PWM) |
| Waveform/ Spectral form (main generator) | Saw/ Triangle |
| Waveform/ Spectral form (main generator) | White Noise |
| Programs/ Voices/ Timbres | |
| Single Voice Preset | 600 |
| Filter | |
| Multimode | |
| 2-pole | |
| Resonance | |
| Envelope Generator (EG) | |
| ADSR | |
| Modulation | |
| LFO: LFO Count | 2 |
| Effects | |
| Reverb | |
| Delay | |
| Sequencer | |
| Step Sequencer | |
| Arpegiator/ Portamento | |
| Arpegiator Mode | Up |
| Arpegiator Mode | Down |
| Arpegiator Mode | Up+Down |
| Arpegiator Mode | Random |
| Arpegiator Mode | Latch |
| Arpegiator | |
| MIDI | |
| General MIDI (GM) | |
| MIDI in/ out | |
| IN | |
| OUT | |
| THRU | |
| Keys | |
| Type | Semi-weighted |
| Size | 3 |
| Number of Keys | 37 |
| Full Octave Range | 9 |
| Display | |
| Display type | TFT |
| Color resolution | Monochrome |
| Built-in controllers | |
| Pitch Bend Wheel | |
| Modulation Wheel | |
| External controllers | |
| Sustain foot pedal | |
| Foot Controller | 1 |
| Audio out | |
| Analogue: 1/4" (6.35mm) | 2 |
| Analogue: 1/4" (6.35mm) headphones preamplified | 1 |
| Audio in | |
| Analog 1/4" | 2 |
| DAC | |
| Resolution | 24 bit |
| ADC | |
| Resolution | 24 bit |
| Power | |
| Power Supply | External |
| Dimensions | |
| Height | 85 mm |
| Width | 579 mm |
| Depth | 254 mm |
| Weight | 5.45 kg |
| Case/ body | |
| Plastic | |
| Color | |
| Black | |
Synthesizer, Analog Modeling (AM), Voices: 8, Multi Timbral Capacity: 4 part(s), Oscillators per voice: 3, Number of Keys: 49, Velocity Sensitivity, Size: 4, Production start: 2003, Production ended: Yes.
Gaia SH-01, although it uses the legendary Roland abbreviation SH, nevertheless has nothing in common with the famous analog synthesizers of the 80's, although it emulates their sounds quite well. It is a compact synthesizer sporting mixed architecture...
While microKORG features fewer voices (4 vs. 8), vocoder bands (8 vs. 16), and filters (1 vs. 2) the build quality is undeniably much more convincing. While microKORG XL+ comprises a sound engine borrowed from Radias, microKORG is built on the MS2000’s...
Except the name, SH-201 has nothing to do with the series of SH analog synthesizers made by Roland. This is quite simple and yet easy-to-use budget synthesizer with all the main functions of a virtual analog instrument - 10-voice polyphony, a wide choice...
Virtual analog synthesizer K-Station represents a completely new rethought instrument with the module from the predecessor A-Station. It has a very intuitive interface and a 2-octave velocity sensitive keyboard. The instrument includes 8 voices of analog...
Performance Synthesizer, Vocoder, Synthesizer, Virtual Analog (VA), Voices: 8, Multi Timbral Capacity: 2 part(s), Number of Keys: 37, Size: 3, Velocity Sensitivity, Production start: 2006, Production ended: Yes.
Favorites