Premiered at NAMM 2017 flagship digital piano KORG Grandstage amazes with its capabilities. Sound engines taken from KORG Kronos, keyboard 6/7-octave options, user-friendly interface and high-quality wear-resistant housing for long-term use anywhere you want – on stage, in the studio or at home, it’s going to serve you for 100 years! And a nice surprise to make the fans of the brand happy - this Korg is assembled in Japan!

Generalmusic, an Italian company which used to be quite popular, has found the investor from Finland and now is trying to break through the fortification of the today’s market with its new digital stage piano Promega 2+ which will be produced as a Generalmusic instrument. The fact that it’s going to have “GEM” on it will surely attract many musicians. The keyboard features a classic interface, uses sample playback and physical modeling techniques to generate waveforms though offers a bit limited sound library for a contemporary stage piano. Anyway, it sounds really great leaving no doubt about the quality and the panels look fine – as compelling as its voices. We’re convinced it’s right what you need to take on stage but it comes with the price which might seem too heavy to do it.

Yamaha CP1 is great for its price, but Roland V-Piano gives even more asking the same money – each time it’s a unique technology and this time it’s the first modeled acoustic piano. Kurzweil keeps on attracting with its unfailing sound making the Forte model even better if it’s possible the functionality of which is as stunning. But Kawai offers MP11 which is so marvelous that $3000 seem to be a generous move. Read what we think of it and choose your dream stage piano.