| Usage area | |
|---|---|
| Synthesizer | |
| Archetype | |
| Digital (D) | |
| Polyphony | |
| Voices | 16 |
| Multi Timbral Capacity | 8 part(s) |
| Tone Generator / Sound Synthesis | |
| Synthesis Method | Frequency Modulation (FM) |
| Waveform/ Spectral form (main generator) | Sine |
| Waveform/ Spectral form (main generator) | Saw |
| Waveform/ Spectral form (main generator) | White Noise |
| Programs/ Voices/ Timbres | |
| Patches | 64 |
| User-defined Single Voice | 64 |
| Modulation | |
| LFO: LFO Count | 2 |
| LFO Target | |
| Oscillator | |
| MIDI in/ out | |
| IN | |
| OUT | |
| THRU | |
| Keys | |
| Type | Semi-weighted |
| Velocity Sensitivity | |
| Aftertouch | |
| Size | 5 |
| Number of Keys | 61 |
| Display | |
| Display type | TFT |
| Power | |
| Power Supply | Built-in, internal |
| Case/ body | |
| Metal&plastic | |
| Color | |
| Black | |
| Production start | 1988 |
| Production ended | |
Sound Module/ Tone Generator, Digital (D), Voices: 16, Multi Timbral Capacity: 8 part(s), Production start: 1988, Production ended: Yes.
DX7 II D (D stands for dual timbres/outputs) was similar to DX7S with the addition of stereo outputs, bitimbrality and integrating a larger screen. The bitimbrality allows for using layer and split modes. Deep voices and juicy combinations could be...
Synthesizer, Digital (D), Voices: 8, Monotimbral, Velocity Sensitivity, Aftertouch, Number of Keys: 61, Size: 5, Production start: 1987, Production ended: Yes.
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