c direct cortirovkoy by title (AZ)
The successor of Matrix series, however, has a feature that strongly distinguishes Matrix-6 from its predecessors: the synthesizer's voices use digitally controlled oscillators (DCO). To build the voices Oberhiem used a specialized chip CEM3396 which...
Matrix-6R is a keyboardless version of Oberheim Matrix-6 synthesizer. Designed for placement in a standard 19" rack. The unit was used in the compositions of Larry Fast, Larry Heard, OMD, Sparks, Mel Wesson and many others.
After more than forty years, Buchla engineers returned their legendary synthesizer onto the market. The modern model does not differ much from the vintage one. In fact it is the same Music Easel but expanded with modern functionality. The basis of the...
MEB is Buchla Music Easel featuring iProgram Card. The expansion card is inserted into the slot instead of the program card and allows saving up to 24 presets. It allows you to save - it’s not the program card the settings in which are adjusted by...
The manufacturer intended this synthesizer to be an instrument that would operate as six Minimoogs would do at once encased into one housing, but everything turned out quite different. The synthesizer was developed without the participation of Robert...
Soon after Memorymoog was released, the "plus" version with an additional set of functions appeared: MIDI interface was, perhaps, the main introduction. The instrument featured MIDI in and out. The synthesizer comprehended MIDI basic commands: note...
Micromoog was the company’s attempt to make a small affordable though full-featured synthesizer. The instrument is built on the basis of only one VCO, which can be transposed within five octaves. The basic sawtooth wave can be converted into a square...
This is probably the most legendary and most popular synthesizer of all time. While the algorithms of the sound engines were changing getting more complicated, amazing VST and AU instruments appeared - Minimoog remained a must have device. And every...
Minimoog Model D may be the most classic and never-fading or by no means ever outdated analog synthesizer. This is the first synthesizer, which could be called portable, which allowed a musician to put it to good use not only in the studio, but also on...
This is a successful attempt to remind the world of what an analog synthesizer is. It appeared in 2002, when Dr. Robert Moog finally won the rights to his company (Moog Music) back. The signal path remained completely analog and schematically very close...
