If Jupiter-80 seems to be unaffordably ponderous anyway - weight, price, and richness of functions, the full research of which requires more than one week, Roland Corporation offers to opt for Jupiter-50. This is a performing instrument that is focused on stage use even more than its elder brother is, who actually has the same essential specification. Jupiter-80 is lighter and more compact featuring the same 6-octave keyboard, its polyphony is reduced, but still offers 128 notes which is pretty much enough, and it allows real-time operation with three sound layers, while Jupiter- 80 managed 4 layers at once. Among other differences there’s reduced filter functionality, less user arpeggio styles, a small monochrome screen, and no digital audio output.
Roland didn’t try to make Jupiter 8 out of Jupiter-80, but we can’t deny that the instrument failed to keep the famous name at the proper level. The 100% digital sound engine of the new Jupiter is based on Supernatural technology, sampling every note of...
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Roland INTEGRA-7Rackmount/ Desktop Sound Module1 400.00U.S.Dollars
The device is built upon SuperNATURAL and Behavior Modeling technologies allowing for use the latest sounds cultivated by the brand and recall the sounds quickly owing to the fast access concept. Roland’s flagship keyboards, V-Drums and SRX library have...
S70 XS is an 76-note Balanced Hammer Effect keyboard. The instrument was designed for live performing. To satisfy the requirements of professional music production there were Remote Control and Master Keyboard features included. Motif XS synthesizer gave...
Top Stage Synthesizers: Multipurpose Stage Instruments