The Roland JX-3P is a programmable polyphonic analog synthesizer released by Roland in 1983. It features two digitally controlled oscillators (DCOs) and a 24 dB/octave low-pass filter. It also has a built-in sequencer and arpeggiator and can be used to...
Juno-106 is Juno-6 and Juno-60 successor. Though unlike its ancestors, it features 128 presets that can be saved and offer a quick switch between them – that might have determined its popularity. This synthesizer supports MIDI control and responds to...
Juno-60 followed Juno-6 featuring a 61-note keyboard that same year (1982). The monotimbral instrument offers a 6-voice polyphony and one digitally controlled oscillator per voice. The oscillator generates pulse, saw and square. The main spec which...
Juno-6 is a 6-voice polyphonic synthesizer launched by Roland in 1982. The starter of the hit series which brought on the market affordable Roland synths of good quality. The synthesis is DCO based though digital control of the analog sound delivers good...
JD-800 is a Roland’s digital synthesizer launched in 1991. The instrument provides 24 voices when one tone is used and reduces the polyphony to 6 notes when 4 tones are active (a patch can include up to 4 tones). The synthesis is based on proprietory...
D-70 is a 30-voice polyphonic synthesizer developed to be a stronger competitor on the market where Korg M1 became a hit. It was devised to be a successor of D-50/550 but actually represents an upgraded U-20 with which it has more in common. The...
D-20 is a 32-voice polyphonic synthesizer based on Roland’s digital Linear Arithmetic synthesis and ROM samples. The instrument is 9-part multitimbral. Memory provides with 128 preset patches, 64 user patches and 128 performances. The effects section...
The System-8 synthesizer is a kind of a virtual analog synthesizer that manages user-loaded audio libraries (PLUG-OUT), in addition to those already pre-installed initially. There are 3 instruments based on this technology - System-1 mini synthesizer,...
After the release of Minimoog it became clear that the synthesizer is not a huge cabinet you should drag to rehearsals but rather a small and elegant device. And ARP (and at that time the synthesizer market was reined over only by Moog and ARP) had to...
The Access Virus KB is a virtual analog synthesizer and effects processor. It is designed to emulate the sound of classic analog synthesizers and features a wide range of sound shaping tools. It is capable of producing a wide range of sounds, from warm...
