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DX7S (S stands for single timbre) is one of the improved versions of DX7 featuring the increased internal patch memory, upgraded implementation of MIDI significantly improving it and enhanced the output sound fidelity. The original model featured 12-bit...
DX7 is considered one of the most popular synthesizers created by Yamaha. A 16-voice polyphonic synthesizer offers a 16-bit digital 6-operator FM synthesis (6 operators per voice, 32 algorithms). The instrument is monotimbral. The keyboard features 61...
DX11 is an 8-voice polyphonic synthesizer of the famous Yamaha DX series. The 61-note velocity sensitive keyboard with aftertouch is based on the 4-operator digital FM synthesis. There’s no filter section onboard. The effects section is represented with...
Ketron MS60, like many other synthesizers, has a 64-note polyphony and 61 weighted keys with aftertouch. On the left part of the keyboard there are pitch/mod wheels. At the top of the instrument you can find quite an extensive control set, including a...
In 1985 at the music fair in Milan Prophet 2000 was introduced - the first sampler made by SCI. Compared to its predecessors (E-mu Emulator and Ensoniq Mirage), the synthesizer got the sample rate almost twice bigger (12 bits versus 8) and offered quite...
The Ensoniq ESQ-M is a digital synthesizer and sequencer released by Ensoniq in 1986. It was the first Ensoniq product to feature a built-in sequencer, as well as a built-in disk drive for storing sequences and patches. It featured an 8-voice polyphony,...
Ketron XD3 was released along with XD9 in 2005, and it differs in that the latter one lacks a keyboard, modulation/pitch wheel and sound amplification system. XD3 has a 64-note polyphony, and it is a music module that will provide an easy workflow, and...
The Roland Alpha Juno 2 is an analog synthesizer released by Roland in 1986. It is a polyphonic synthesizer with a 61-note keyboard and a built-in arpeggiator. It features two oscillators, two sub-oscillators, a noise generator, an LFO, and a resonant...
DX7 II D (D stands for dual timbres/outputs) was similar to DX7S with the addition of stereo outputs, bitimbrality and integrating a larger screen. The bitimbrality allows for using layer and split modes. Deep voices and juicy combinations could be...
DX7 II FD (FD stands for Floppy Drive). The version is equal to the DX7 II D with the addition of a floppy disk drive. The instrument offered 1MB of memory space which is identical to 40 RAM cartridges delivering thousands of voices and making fractional scaling, SysEx data available.
