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Lead 4R is represented with 2 oscillators per voice, FM, hard/soft sync possibilities, flexible modulation owing to many syncing and routing options, two LFO sections and mod envelope, gives 20 voices of polyphony, 12, 24 and 48 dB low-pass, high-pass...
The Roland MKS-70 Super JX is a synthesizer module released by Roland in 1987. It is a rack-mounted version of the popular JX-10 and JX-8P synthesizers. It features two DCOs per voice, four-stage envelopes, and a 24dB low-pass filter. It also has a...
Jupiter-8 is an iconic performing synthesizer with an all analog signal path (VCO + VCF + VCA) created by Roland in 1981. It has 8 voices of polyphony, 2 parts of timbrality and features 2 VCOs per voice. The LFO produces triangle, square, saw and random...
The new model Triton Extreme 61 has a set of new high-quality sounds, built-in tube processing circuit, built-in USB interface, the ability to burn CDs and many other new features. The instrument offered 160 MB of internal sound memory which comprised a...
Triton Rack offers the similar specs the original Triton has including sampling functionality, intuitive operation, and expandability. The rack version features 60 voices (up to 66 with MOSS), HI synthesis system tone generation, 48 kHz sampling...
The System-8 synthesizer is a kind of a virtual analog synthesizer that manages user-loaded audio libraries (PLUG-OUT), in addition to those already pre-installed initially. There are 3 instruments based on this technology - System-1 mini synthesizer,...
The rackmount version of Roland JP-8000 differs in polyphony which was increased from 8 to 10 voices, the number of presets and user program memory were more than doubled, new effects were added - flanger and distortion, voice modifier Voice Modulator...
The new model Triton Extreme 88 has a set of new high-quality sounds, built-in tube processing circuit, built-in USB interface, the ability to burn CDs and many other new features. The instrument offered 160 MB of internal sound memory which comprised a...
After the release of Minimoog it became clear that the synthesizer is not a huge cabinet you should drag to rehearsals but rather a small and elegant device. And ARP (and at that time the synthesizer market was reined over only by Moog and ARP) had to...
Roland didn’t try to make Jupiter 8 out of Jupiter-80, but we can’t deny that the instrument failed to keep the famous name at the proper level. The 100% digital sound engine of the new Jupiter is based on Supernatural technology, sampling every note of...
