| Usage area | |
|---|---|
| Performance Synthesizer | |
| Sound Module/ Tone Generator | |
| Usage Design/ Form Factor | |
| With Keys | |
| Rackmount, 3U | |
| Archetype | |
| Digital (D) | |
| Polyphony | |
| Voices | 48 |
| Multi Timbral Capacity | 16 part(s) |
| Tone Generator / Sound Synthesis | |
| Oscillator Type | Digital |
| Kurzweil | |
| KB3 | |
| V.A.S.T. (Variable Architecture Synthesis Technology) | |
| Oscillators per voice | 4 |
| Waveform/ Spectral form (main generator): Waveform ROM | 44 Mb |
| Programs/ Voices/ Timbres | |
| Single Voice Preset | 450 |
| User-defined Single Voice | 200 |
| Sampler | |
| Sample Memory | 128 Mb |
| Sequencer | |
| Tracks count | 16 |
| Sequencer Resolution | 768 ppqn |
| Arpegiator/ Portamento | |
| Arpegiator | |
| MIDI | |
| General MIDI (GM) | |
| MIDI in/ out | |
| IN | |
| OUT | |
| THRU | |
| Display | |
| Color resolution | 1 color with multiple contract |
| Resolution: Horizontal | 240 |
| Resolution: Vertical | 60 |
| Built-in controllers | |
| Modulation Wheel | |
| Audio out | |
| Analogue: 1/4" (6.35mm) | 8 |
| Digital: coaxial | 1 |
| Digital: optical | 1 |
| Audio in | |
| Digital: Coaxial | 1 |
| Digital: Optical | 1 |
| DAC | |
| Resolution | 18 bit |
| Computer Interfaces | |
| SCSI | |
| FDD | |
| Expandability | |
| Sampler Memory Slot | 2 |
| Power | |
| Power Supply | Built-in, internal |
| Dimensions | |
| Height | 130 mm |
| Width | 430 mm |
| Depth | 354 mm |
| Height | 5.10 in |
| Width | 16.90 in |
| Depth | 13.90 in |
| Weight | 24.65 lb |
| Weight | 11.2 kg |
| Case/ body | |
| Metal&plastic | |
| Production start | 1999 |
| Production ended | |
The only and unique mega synthesizer of the 1990s priced at $20,000, which back then was the equivalent of $30,000 today. Technically it is filled with all possible K2500XS extensions encased within a metallic champagne housing and sides of noble wood....
Sound Module/ Tone Generator, Digital (D), Voices: 24, Multi Timbral Capacity: 16 part(s), Oscillators per voice: 4, Production start: 1991, Production ended: Yes.
Performance Synthesizer, Digital (D), Voices: 24, Multi Timbral Capacity: 16 part(s), Oscillators per voice: 4, Size: 5, Number of Keys: 61, Production start: 1990, Production ended: Yes.
Workstation, Digital (D), Voices: 24, Multi Timbral Capacity: 16 part(s), Oscillators per voice: 4, Size: 5, Number of Keys: 61, Production start: 1996, Production ended: Yes.
Sound Module/ Tone Generator, Workstation, Digital (D), Voices: 24, Multi Timbral Capacity: 16 part(s), Oscillators per voice: 4, Production start: 1996, Production ended: Yes.
Performance Synthesizer, Digital (D), Voices: 28, Multi Timbral Capacity: 16 part(s), Oscillators per voice: 4, Variable Touch Response, Aftertouch, Size: 6.5, Number of Keys: 76, Production start: 1996, Production ended: Yes.
Performance Synthesizer, Digital (D), Voices: 48, Multi Timbral Capacity: 16 part(s), Oscillators per voice: 4, Aftertouch, Size: 6.5, Number of Keys: 76, Production start: 1996, Production ended: Yes.
Performance Synthesizer, Sound Module/ Tone Generator, Digital (D), Voices: 48, Multi Timbral Capacity: 16 part(s), Oscillators per voice: 4, Production start: 1996, Production ended: Yes.
Performance Synthesizer, Digital (D), Voices: 48, Multi Timbral Capacity: 16 part(s), Oscillators per voice: 4, Size: 7.5, Velocity Sensitivity, Number of Keys: 88, Aftertouch, Production start: 1997, Production ended: Yes.
Performance Synthesizer, Digital (D), Voices: 48, Multi Timbral Capacity: 16 part(s), Oscillators per voice: 4, Size: 6.5, Number of Keys: 76, Aftertouch, Production start: 1999, Production ended: Yes.
Performance Synthesizer, Digital (D), Voices: 48, Multi Timbral Capacity: 16 part(s), Oscillators per voice: 4, Aftertouch, Number of Keys: 76, Size: 6.5, Production start: 1999, Production ended: Yes.
Sound Module/ Tone Generator, Performance Synthesizer, Digital (D), Voices: 48, Multi Timbral Capacity: 16 part(s), Oscillators per voice: 4, Production start: 1999, Production ended: Yes.
Performance Synthesizer, Digital (D), Voices: 48, Multi Timbral Capacity: 16 part(s), Oscillators per voice: 4, Size: 7.5, Velocity Sensitivity, Number of Keys: 88, Aftertouch, Production start: 1999, Production ended: Yes.
Workstation, Performance Synthesizer, Digital (D), Voices: 48, Multi Timbral Capacity: 16 part(s), Oscillators per voice: 4, Size: 5, Number of Keys: 61, Aftertouch, Production start: 1999, Production ended: Yes.
Late version of K2000 with programs derived from K2500. K2000VP appeared in 1998.
Performance Synthesizer, Sound Module/ Tone Generator, Digital (D), Voices: 48, Multi Timbral Capacity: 16 part(s), Oscillators per voice: 4, Production start: 1996, Production ended: Yes.
Performance Synthesizer, Digital (D), Voices: 48, Multi Timbral Capacity: 16 part(s), Oscillators per voice: 4, Velocity Sensitivity, Aftertouch, Size: 7.5, Number of Keys: 88, Production start: 1996, Production ended: Yes.
Late version of K2000R with programs derived from K2500. K2000VPR appeared in 1998.
K2000 with expanded ROM sample set (the Orchestral and Contemporary ROM sound sets) made up of 24 MB total and factory-installed P-RAM expansion.
K2000 with expanded ROM sample set (the Orchestral and Contemporary ROM sound sets) made up of 24 MB total and factory-installed P-RAM expansion. The K2vxS has the sampling option and 2Mb of sample RAM.
Roland’s sound module XV-5080 sports 128 voices, 32-part (!) multitimbrality, over 1000 factory patches, built in SCSI (Small Computer System Interface) and Wordclock input, stereo waveforms, Matrix Control and can be expanded via SRX and SR-JV80 Series...
Triton Rack offers the similar specs the original Triton has including sampling functionality, intuitive operation, and expandability. The rack version features 60 voices (up to 66 with MOSS), HI synthesis system tone generation, 48 kHz sampling...
Sound Module/ Tone Generator, Synthesizer, Workstation, Digital (D), Voices: 128, Multi Timbral Capacity: 16 part(s), Production start: 1998, Production end: 2000, Production ended: Yes.
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